The brothers Barrymore do some delightful upstaging of each other in Arsène Lupin, with John as the suave duke whom Lionel as the dogged police inspector suspects of being the thief known as Arsène Lupin. There's some sexy business involving Karen Morley as a socialite who may be more than what she seems, and everything culminates in the theft of the Mona Lisa. It's maybe a little more creaky in its joints than is good for it, in the way of early talkies.
A blog formerly known as Bookishness / By Charles Matthews
"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."--Gabriel García Márquez, One Hundred Years of Solitude
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Sunday, June 2, 2019
Arsène Lupin (Jack Conway, 1932)
The brothers Barrymore do some delightful upstaging of each other in Arsène Lupin, with John as the suave duke whom Lionel as the dogged police inspector suspects of being the thief known as Arsène Lupin. There's some sexy business involving Karen Morley as a socialite who may be more than what she seems, and everything culminates in the theft of the Mona Lisa. It's maybe a little more creaky in its joints than is good for it, in the way of early talkies.
Saturday, June 1, 2019
Insomnia (Erik Skjoldbjærg, 1997)
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Stellan Skarsgård in Insomnia |
The original Norwegian version of a film remade by Christopher Nolan in 2002, Insomnia had some Nolanesque twists from the beginning. Stellan Skarsgård plays Jonas Engström, a cop who used to be with the Swedish police and still carries the gun he was issued then, a fact that will play a key role in the plot as Engström becomes involved in helping his fellow policemen in the Norwegian force investigate the murder of a young woman. Suffice it to say that the insomnia Engström suffers comes from a guilty conscience that only gets guiltier as the investigation proceeds.
Park Row (Samuel Fuller, 1952)
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Gene Evans in Park Row |
Samuel Fuller's favorite film came out of his own experiences as a newspaper reporter in New York City, though Park Row is set in the 1880s, a bit before Fuller's journalism career. It's a thoroughly entertaining melodrama about a man with ink in his blood, Phineas Mitchell (Gene Evans), who starts his own newspaper, The Globe, with a bunch of cronies after they're fired from another paper, The Star, after criticizing its timid approach to the news and fawning attitude toward the powerful. Scrappy underdog takes on the big guys, as you've guessed. One of the big guys is actually a woman, Charity Hackett (Mary Welch), the publisher of The Star. In the midst of their newspaper war, Phineas and Charity manage to fall a bit in love, but he puts business before romance and refuses her offer to merge the two papers. A little heavy on the clichés, but full of energy.
Thursday, May 30, 2019
Zatoichi and the Chest of Gold (Kazuo Ikehiro, 1964)
Zatoichi and the Chest of Gold (Kazuo Ikehiro, 1964)
Cast: Shintaro Katsu, Shogo Shimada, Machiko Hasegawa, Tomisaburo Wakayama, Tatsuya Ishiguro, Matasaburo Niwa, Hikosaburo Kataoka, Mikiko Tsubouchi. Screenplay: Shozaburo Asai, Akikazu Ota, based on a story by Kan Shimozawa. Art direction: Yoshinobu Nishioka. Cinematography: Kazuo Miyagawa. Film editing: Takashi Taniguchi. Music: Ichiro Saito.
Wednesday, May 29, 2019
Houseboat (Melville Shavelson, 1958)
Houseboat (Melville Shavelson, 1958)
Cast: Cary Grant, Sophia Loren, Martha Hyer, Harry Guardino, Eduardo Ciannelli, Mimi Gibson, Paul Petersen, Charles Herbert, Murray Hamilton. Screenplay: Melville Shavelson, Jack Rose. Cinematography: Ray June. Art direction: John B. Goodman, Hal Pereira. Film editing: Frank Bracht. Music: George Duning.
Tuesday, May 28, 2019
Il Bidone (Federico Fellini, 1955)
Il Bidone (Federico Fellini, 1955)
Cast: Broderick Crawford, Richard Basehart, Franco Fabrizi, Giulietta Masina, Sue Ellen Blake, Irene Cefaro, Alberto De Amicis, Lorella De Luca. Screenplay: Federico Fellini, Ennio Flaiano, Tullio Pinelli. Cinematography: Otello Martelli. Production design: Dario Cecchi. Film editing: Mario Serandrei, Giuseppe Vari. Music: Nino Rota.
Monday, May 27, 2019
Great Expectations (David Lean, 1946)
Great Expectations (David Lean, 1946)
Cast: John Mills, Valerie Hobson, Jean Simmons, Martita Hunt, Finlay Currie, Alec Guinness, Bernard Miles, Francis L. Sullivan. Screenplay: David Lean, Ronald Neame, Anthony Havelock-Allan, Kay Walsh, Cecil McGivern. Cinematography: Guy Green. Production design: John Bryan. Film editing: Jack Harris. Music: Walter Goehr.
Sunday, May 26, 2019
Claire's Camera (Hong Sang-soo, 2017)
Claire's Camera (Hong Sang-soo, 2017)
Cast: Isabelle Huppert, Kim Min-hee, Chang Mi-hee, Jung Jin-young, Yoon Hee-sun. Screenplay: Hong Sang-soo. Cinematography: Lee Jin-keung. Film editing: Hahm Sung-won. Music: Dalpalan.
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