A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Saturday, December 19, 2020

The Kid (Charles Chaplin, 1921)

Jackie Coogan and Charles Chaplin in The Kid
Cast: Charles Chaplin, Jackie Coogan, Edna Purviance, Carl Miller, Henry Bergman, Lita Grey, Jules Hanft, Raymond Lee, Walter Lynch, John McKinnon, Granville Redmond, Charles Reiser, Edgar Sherrod, Minnie Stearns, S.D. Wilcox, Tom Wilson. Screenplay: Charles Chaplin. Cinematography: Roland Totheroh. Art direction: Charles D. Hall. Film editing: Charles Chaplin. Music: Charles Chaplin. 

Charles Chaplin's first feature film is not as mawkish as a story about the Little Tramp's raising a foundling might have been. It includes one of Chaplin's wackier fantasy sequences, in which he dreams that he and his fellow slum denizens have become angels and must fight it out with devils. 
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