A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Friday, December 18, 2020

The Wicker Man (Robin Hardy, 1973)

Christopher Lee in The Wicker Man
Cast: Edward Woodward, Christopher Lee, Diane Cilento, Britt Ekland, Ingrid Pitt, Lindsay Kemp, Russell Waters, Aubrey Morris, Irene Sunters. Screenplay: Anthony Shaffer, based on a novel by David Pinner. Cinematography: Harry Waxman. Art direction: Seamus Flannery. Film editing: Eric Boyd-Perkins. Music: Paul Giovanni. 

Edward Woodward plays a police officer from the mainland who goes to investigate the disappearance of a young girl on a remote Scottish island and falls into a terrible trap. This celebrated horror film benefits from some intelligent writing, particularly in the conflict of the bigoted Christian policeman and the carnally pagan islanders. Christopher Lee, who plays the island's sophisticated laird, called it one of his favorite roles, and he brings his usual suavely sinister presence to it.  
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