A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Saturday, November 11, 2023

New Rose Hotel (Abel Ferrara, 1998)

Asia Argento and Willem Dafoe in New Rose Hotel

Cast: Christopher Walken, Willem Dafoe, Asia Argento, Annabella Sciorra, John Lurie, Kimmy Suzuki, Miou, Yoshitaka Amano, Gretchen Mol, Phil Neilson, Ken Kelsch, Ryuiki Sakamoto. Screenplay: Abel Ferrara, Christ Zois, based on a story by William Gibson. Cinematography: Ken Kelsch. Production design: Frank DeCurtis. Film editing: Jim Mol, Anthony Redman. Music: Schoolly D. 

Abel Ferrara's New Rose Hotel is more an exercise in style than a satisfactory movie. The plot is simple: Fox (Christopher Walken) and X (Willem Dafoe) are agents for a Japanese technology firm plot tasked with raiding a top scientist from a German company. They do so by hiring a beautiful prostitute called Sandii (Asia Argento) to seduce the scientist, whom they will set up in a laboratory in Marrakech. The plot goes awry when one of the agents falls in love with Sandii and overlooks some evidence that she may be working for the German company, putting the agents in danger. Padding this plot into a 93-minute movie means a lot of filler, including an extended opening scene set in a kinky nightclub where some lugubrious songs get sung and the necessary exposition gets spilled. Then there are some irrelevant sex scenes while the scheme is being set up, and after it fails there are extended flashbacks that add little to our understanding of what has happened. The three leads are capable and watchable, but the film leaves us with no revelations about corporate rivalry in the age of technology that we haven't seen in better movies. 

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