A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Search This Blog

Wednesday, July 16, 2025

Bully (Larry Clark, 2001)

Nick Stahl and Brad Renfro in Bully

Cast: Brad Renfro, Bijou Phillips, Rachel Miner, Nick Stahl, Michael Pitt, Leo Fitzpatrick, Kelli Garner, Daniel Franzese, Natalie Paulding, Jessica Sutta, Ed Amatrudo, Steve Raulerson, Judy Clayton, Alan Lilly, Irene B. Colletti. Screenplay: David McKenna, Roger Pullis, based on a book by Jim Schutze. Cinematography: Steve Gainer. Production design: Linda Burton. Film editing: Andrew Hafitz. 

For some viewers, Larry Clark's Bully is sleazy exploitation, while for others it's a dark tragicomedy. That it might be both suggests a failure of the filmmakers to maintain a consistent tone. The first part of the film clearly seems designed to shock and titillate, as we get to know the coterie of teenagers that has formed around Bobby (Nick Stahl) and his so-called best friend, Marty (Brad Renfro), who are locked in a sadomasochistic relationship. Blasting hard-core rap on their radios, they cruise their Florida neighborhoods in search of sex and drugs, and they find a lot of both. The sex is generously depicted on screen. But then the film turns in another direction, as Marty's girlfriend, Lisa (Rachel Miner), begins to see Bobby as a threat to her relationship with Marty and takes the process of eliminating that threat to its extreme: murder. It's then that the film tilts into black comedy, as the inept, drug-addled gang develops a plot to off Bobby. The film veers back into something like reality when the plot succeeds and the members of the gang suddenly find themselves aware of what they've done. I think Bully would have been received more generously if Clark had treated the sex scenes more discreetly, but given that the film is based on an actual case, it still has the power to disturb.