A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Nick Stahl. Show all posts
Showing posts with label Nick Stahl. Show all posts

Sunday, May 11, 2025

Eye of God (Tim Blake Nelson, 1997)

Nick Stahl in Eye of God

Cast: Martha Plimpton, Kevin Anderson, Nick Stahl, Richard Jenkins, Margo Martindale, Mary Kay Place, Hal Holbrook. Screenplay: Tim Blake Nelson. Cinematography: Russell Lee Fine. Production design: Patrick Geary. Film editing: Kate Sanford. Music: David Van Tieghem. 

A solid drama about a crime in a small Oklahoma town, Tim Blake Nelson's debut as a feature film director, Eye of God, is among other things a piercing look into Bible Belt religiosity. Martha Plimpton plays Ainsley, a waitress in the barely there town of Kingfisher, who has struck up a correspondence with a man in the state prison, Jack Stillings (Kevin Anderson). When he's released he heads for Kingfisher, where he's soon married to Ainsley. While in prison, he got religion, and is bent on making her go to church with him. She doesn't care for it, and before long his insistence on having his way drives them apart: When she gets pregnant he insists that she not leave the house. Then she befriends 14-year-old Tom Spencer (Nick Stahl), a shy loner, and their lives intersect in calamitous fashion. But in the film this narrative line is fragmented into flashbacks from the moment police find Tom, covered in blood, wandering alone on a road at night. The nature of the crime and the identity of the victim are cleverly withheld until all the pieces of the story are assembled. But the real strength of the film lies in the performances, not only of Plimpton, Anderson, and Stahl, but of such estimable character actors as Richard Jenkins, Margo Martindale, and Hal Holbrook, playing people who have their own problems that color their responses to the crime.