A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Friday, January 16, 2026

Leaves of Grass (Tim Blake Nelson, 2009)

Edward Norton in Leaves of Grass

Cast: Edward Norton, Tim Blake Nelson, Keri Russell, Melanie Lynskey, Josh Pais, Susan Sarandon, Richard Dreyfuss, Pruitt Taylor Vince. Screenplay: Tim Blake Nelson. Cinematography: Roberto Schaefer. Production design: Max Biscoe. Film editing: Michelle Botticelli. Music: Jeff Danna.

With a fine cast headed by Edward Norton in a tour de force performance, Tim Blake Nelson's Leaves of Grass only needed a somewhat less ramshackle screenplay than the one Nelson wrote for it. The premise is sound: A successful academic returns to his backwater home town and is confronted with his messed-up family. Norton deftly creates the disparate twin brothers, philosophy professor Bill Kincaid and good-ol'-boy marijuana grower Brady Kincaid. Bill soon finds himself embroiled in Brady's illegal affairs. Nelson's screenplay does a lot of things right, using Bill's philosophical approach to life as a foil to Brady's hang-loose lifestyle, and making both characters somewhat plausible twins. It also does a lot of predictable things, like finding a romantic interest for Bill in a poetry-quoting local played nicely by Keri Russell. But he overcomplicates his story with secondary characters like the randy coed who snares Bill into a sexual harassment charge or the orthodontist who meets Bill on a plane and unwittingly precipitates the bloody outcome of the story. He also casts great actors like Susan Sarandon and Melanie Lynskey in roles that have little to do with the mainstream of the plot. Leaves of Grass uneasily straddles the line between screwball and black comedy, but even when it doesn't work, the cast makes it watchable.