A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Saturday, January 17, 2026

Queen of the Desert (Werner Herzog, 2015)


Cast: Nicole Kidman, James Franco, Damian Lewis, Robert Pattinson, Jay Abdo, Jenny Agutter, David Calder, Christopher Fulford, Nick Waring, Holly Earle, Mark Lewis Jones, Beth Goddard. Screenplay: Werner Herzog. Cinematography: Peter Zeitlinger. Production design: Ulrich Bergfelder. Film editing: Joe Bini. Music: Klaus Bedelt. 

Werner Herzog's Queen of the Desert is a tepid and conventional biopic from a director who isn't known for being either tepid or conventional. It's ostensibly the story of the pioneering explorer Gertrude Bell (Nicole Kidman), but it subsumes her discoveries and adventures in the Middle East in an account of her love life. A miscast James Franco plays British diplomat Henry Cadogan, who supposedly won her heart but was prevented from marrying her by Bell's parents. After his death, she fell in love with a British army officer, Richard Wylie (Damian Lewis), but he was married and died at Gallipoli in 1915. The film also hints at a flirtation with T.E. Lawrence (Robert Pattinson), who was probably either asexual or gay. So the film suggests that these failures in love caused Bell to transfer her affections to the desert and its people, embodied in the film by her guide, Fattuh (Jay Abdo). Falsifications abound, as they do in most biopics, and some of them are glaring: A scene set in 1914 is followed by a flashback that a title card says took place 20 years earlier, which would place it in 1902, but it contains references to Queen Victoria, who died in 1901. If the film is redeemed at all, it's by Peter Zeitlinger's cinematography and Kidman's performance. But Bell deserves much better treatment.