A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Tyler Bates. Show all posts
Showing posts with label Tyler Bates. Show all posts

Tuesday, March 10, 2020

John Wick: Chapter 3 -- Parabellum (Chad Stahelski, 2019)

Mark Dacascos and Keanu Reeves in John Wick: Chapter 3 -- Parabellum
Cast: Keanu Reeves, Halle Berry, Ian McShane, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Anjelica Huston, Saïd Taghmaoui, Jerome Flynn, Tobias Segal, Randall Duk Kim. Screenplay: Derek Kolstad, Shay Hatten, Chris Collins, Marc Abrams. Cinematography: Dan Laustsen. Production design: Kevin Kavanaugh. Film editing: Evan Schiff. Music: Tyler Bates, Joel J. Richard.

I'll admit that I haven't seen the first two John Wick movies, for much the same reason that I've never watched any of the Taken or Fast and Furious movies: Who needs another action movie franchise? But the films have gotten enough positive response, and I like Keanu Reeves enough, that I gave in and watched the latest in the series. I wasn't disappointed: It's full of well-choreographed fight scenes that are almost balletic (not to mention ballistic) in character. The sets and cinematography are handsome. Reeves doesn't disappoint, Halle Berry is terrific, and I liked seeing old favorites like Ian McShane, Laurence Fishburne, and Anjelica Huston. It was nice to see Mark Dacascos, whom I knew only as the Chairman on Iron Chef America, in his martial arts element. On the whole, I'd say it's on a par with the best of the James Bond and Mission: Impossible movies. Will I watch another John Wick movie if one comes my way? Probably. But let me say it again: Who needs another action movie franchise?

Monday, April 15, 2019

Deadpool 2 (David Leitch, 2018)











Deadpool 2 (David Leitch, 2018)

Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Leslie Uggams, Karan Soni, Brianna Hildebrand, Eddie Marsan, Rob Delaney. Screenplay: Rhett Reese, Paul Wernick, Ryan Reynolds. Cinematography: Jonathan Sela. Production design: David Scheunemann, Film editing: Craig Alpert, Michael McCusker, Elisabet Ronaldsdóttir, Dirk Westervelt. Music: Tyler Bates.

Wednesday, April 25, 2018

Guardians of the Galaxy Vol. 2 (James Gunn, 2017)

Peter Quill / Star-lord: Chris Pratt
Gamora: Zoe Saldana
Drax: Dave Bautista
Baby Groot (voice): Vin Diesel
Rocket (voice): Bradley Cooper
Ego: Kurt Russell
Yondu: Michael Rooker
Nebula: Karen Gillan
Mantis: Pom Klementieff
Stakar Ogord: Sylvester Stallone
Ayesha: Elizabeth Debicki
Taserface: Chris Sullivan
Kraglin: Sean Gunn

Director: James Gunn
Screenplay: James Gunn
Cinematography: Henry Braham
Production design: Scott Chambliss
Film editing: Fred Raskin, Craig Wood
Music: Tyler Bates

What can I say? There's lots of swooping and zooming and crashing, some spectacularly weird computerized sets and characters, cameos by David Hasselhoff and Howard the Duck (voiced by Seth Green), some good jokes and some duds, some cheeky music cues (e.g., George Harrison's "My Sweet Lord"), Chris Pratt takes his shirt off, and everything moves along efficiently to set up the next sequel. The movie doesn't dally too long on its Oedipal subplot -- Peter kills his father because he (the father) killed his (Peter's) mother. There were times, as when the only characters on screen are CGI ones like Rocket and Groot, when I wondered if a new Oscar category for semi-animated film shouldn't be considered. So I had as much fun as the latent 14-year-old boy in me is capable of having. I actually enjoyed Vol. 2 more than the first film in the series (James Gunn, 2014) because I didn't have to sit through exposition about who and what these characters are and could get right to the swooping and zooming and crashing.