A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Tuesday, March 5, 2024

The Silent Partner (Daryl Duke, 1978)

Christopher Plummer and Elliott Gould in The Silent Partner

Cast: Elliott Gould, Christopher Plummer, Susannah York, Céline Lomez, Michael Kirby, Sean Sullivan, Ken Pogue, John Candy. Screenplay: Curtis Hanson, based on a novel by Anders Bodelsen. Cinematography: Billy Williams. Production design: Trevor Williams. Film editing: George Appleby. Music: Oscar Peterson. 

Solid, entertaining thriller with a good turn by Christopher Plummer as the heavy. Your enjoyment of it may depend on how much you can accept Elliott Gould's transformation from nerdy bank teller to romantic lead. I'm still struggling with it. Director Daryl Duke's conflicts with the producers led to screenwriter Curtis Hanson being called in to finish the film, which he had wanted to direct all along.