A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Monday, September 15, 2025

Millennium Actress (Satoshi Kon, Ko Matsuo, 2001)


Cast (voices): Miyoko Shoji, Mami Koyama, Fumiko Orikasa, Shozo Izuka, Shoko Tsuda, Hirotaka Suzuoki, Hisaka Kyoda, Kan Tokumaru, Tomie Kataoka, Takko Ishimori, Masamichi Sato, Masaya Onosaka, Masane Tsukayama, Koichi Yamadera. Screenplay: Satoshi Kon, Sadayuki Murai. Cinematography: Hisao Shira. Art direction: Nobutaka Ike. Film editing: Satoshi Terauchi. Music: Susumu Hirasawa. 

I enjoyed Millennium Actress more than I do most anime because I love Japanese film and its history, and the movie is full of references to it, from wartime propaganda to postwar readjustment dramas, from ghost stories to samurai films, from geisha dramas to monster movies and beyond. The central figure is a retired actress, whose story echoes that of many famous Japanese actresses, including Setsuko Hara and Hideko Takamine. When the studio where she spent her career is closed, a documentarian and a cameraman go in search of her, hoping to tell the story of the studio through her own. They get more than they expect, finding not only that her life is intertwined with the movies she made, but also that they themselves become part of the story. The complex narrative is deftly handled and the hand-drawn animation is quite beautiful.