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| Mária Tasnádi Fekete and Bella Bordy in Two Girls on the Street |
Cast: Mária Tasnádi Fekete, Bella Bordy, Andor Ajtay, Piroska Vaszary, Gyula Csortos. Screenplay: André De Toth, based on a play by Tamás Emöd and Reszö Török. Cinematography: Károly Vass. Production design: Márton Vincze. Film editing: Zoltán Kerényi. Music: Szabolcs Fényes.
In 1939, the Production Code was so rigidly enforced in Hollywood that David O. Seznick had to beg for an exemption that would allow Clark Gable to speak the word "damn" in Gone With the Wind. So for an example of what Hollywood movies might have been like if they hadn't been saddled with the Code's strictures, take a look at a film from Hungary that year, André De Toth's Two Girls on the Street. It begins with a young woman revealing, at a dinner party that celebrates an engagement, that the potential groom, who is marrying someone else, made her pregnant. Out of wedlock pregnancy would have been severely punished under the Code, but after the uproar, she moves to Budapest and gets an abortion -- one of the Code's severest taboos -- and goes to work in a night club as a violinist in an all-female orchestra. By the end of the film, she has become a celebrated concert violinist, hardly a punishment. Two Girls on the Street is a romantic melodrama whose plot feels familiar in many respects: The violinist befriends a waiflike young woman, and as they prosper they fall in love with the same man. But many of the details of the film feel like they come from another place and another time: The man they fall for was accused of sexually harassing the second woman, who also attempts suicide (another Code taboo) when she thinks she's lost him, but she's perfectly happy to wind up with him at the end of the movie. None of this is to suggest that Hungary was a better place to make movies at that time, of course. De Toth left it for Hollywood, where he became a second-tier director specializing in Westerns like The Gunfighter (1950) and films noir like Pitfall (1948) before moving into television; his best-known movie is House of Wax (1953), one of the first of the run of 3-D features in the 1950s.
