A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Sunday, September 7, 2025

The Bodyguard (Sammo Hung, 2016)

Jacqueline Chan and Sammo Hung in The Bodyguard

Cast: Sammo Hung, Jacqueline Chan, Li Qinqin, Andy Lau, James Lee Guy, Tomer Oz, Zhu Yuchen, Feng Yaiyi. Screenplay: Kong Kwan. Cinematography: Ardy Lam. Production design: Pater Wong. Film editing: Kwong Chi-Leung, Lo Wai-Lun. Music: Alan Wong, Janet Yung. 

Sammo Hung's The Bodyguard is a mashup of sentimental drama, crime thriller, and martial arts film, with the sentiment dominating. Hung plays Ding, an aging man with a fading memory, who lives alone after a breakup with his daughter precipitated by his failure to look after his granddaughter, who went missing. Ding's landlady, Mrs. Park (Li Qinqin), has romantic designs on him, and he's befriended by a little neighbor girl, Cherry Li (Jacqueline Chan), whose father (Andy Lau), is mixed up with some mobsters. Although he looks like an ordinary, overweight elderly citizen, Ding is retired from the Central Security Bureau, a highly trained cadre of bodyguards for the elite of the Chinese Communist Party. Eventually, this training becomes apparent when Cherry's father steals from the mob and goes on the run, the mobsters retaliate by trying to kidnap the girl, and Ding, haunted by his failure with his granddaughter, successfully fends them off. More complications ensue before the plot culminates in a big fight scene in which Ding single-handedly takes on a flood of gangsters. The scene is fairly preposterous in comparison with those in Hung's earlier movies: It's filmed mostly in closeup with rapid editing, an obvious cheat. Eventually, of course, Ding and Cherry are reunited and she becomes a caretaker for the man who protected her. Despite the mushiness, there's a warmth and generosity in Hung's characterization of the aging man, and he has a genuine rapport with his young co-star. For martial arts movie devotees, there are cameos of other aging stars of the genre like Tsui Hark, Karl Maka, and Dean Shek, who play elderly men who kibitz on the passing scene.