A Movie Log

A blog formerly known as Bookishness

By Charles Matthews

Wednesday, October 14, 2015

The Confession (Costa-Gavras, 1970)


Ideologies are only as workable as the people who believe in them, which given the human drive toward power isn't very much. Costa-Gavras's film hasn't really dated much since its release 45 years ago. We are still faced with ideologues whose sole aim is to increase their own power in the name of some group or faction -- witness the current disarray of the Republican Party caused by the recalcitrance of the Tea Party faction in Congress. Which is not to say that the purge of John Boehner is anything as grave as the purges in the communist party in the Soviet Union under Stalin in the 1930s and in Czechoslovakia under Stalinist puppets in the 1950s. Yves Montand plays Gérard, a Czech communist official, based on a real figure, Artur London, who was accused of being a Trotskyite and a Titoist and of collaborating with American spies. He resisted torturous interrogation as long as possible before confessing. Sentenced to life imprisonment, he was released after serving several years in prison. The film ends with Gérard, still a disillusioned but hopeful communist, witnessing the 1968 Soviet crackdown against the "Prague Spring" reformists. It's an overlong but often effective movie, with fine performances by Montand, Simone Signoret as his wife, and Gabriele Ferzetti as the interrogator Kohoutek, a former Gestapo agent recruited by the communists to crack the people they want to purge.