A movie log formerly known as Bookishness / By Charles Matthews
"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."--Gabriel García Márquez, One Hundred Years of Solitude
Thursday, October 20, 2016
Joel McCrea and Claudette Colbert or Henry Fonda and Barbara Stanwyck would have played it. Bracken, however, is wonderful, as are Demarest, Steele, Walburn, and other members of Sturges's usual crew of brilliant character actors, including Franklin Pangborn as the harried planner of the celebration and Jimmy Conlin as the town judge. This was, sadly, the last film Sturges made under his Paramount contract, which he ended because of studio interference during the making of the movie. It objected, perhaps rightly, to Ella Raines's lack of star power, but also took the film out of Sturges's hands and edited it. After a couple of disastrous previews of the studio version, however, Sturges was called back in for rewrites and some new scenes. The revised Sturges version was a hit, and earned him an Oscar nomination for best screenplay.