Friday, December 2, 2016
Nora (Pat Murphy, 2000)
A rather muddled and unsatisfactory account of the domestic life of James Joyce (Ewan McGregor) and Nora Barnacle (Susan Lynch), adapted by Murphy and Gerard Stembridge from Brenda Maddox's excellent biography, Nora. There's not enough narrative drive in this account of their lives up to the publication of Dubliners. Mostly the film deals with the squabblings of the pair, who while mismatched intellectually seemed to have a kind of irresistible attraction to each other. The movie seems aimed at viewers with a ready knowledge of Joyce's life and work, especially the cultural and familial pressures that drove him into a life of exile from Ireland, but anyone who already possesses that knowledge is likely to be left frustrated by what appears on screen. Lynch is excellent in the title role, but McGregor never penetrates to the essence of the brilliant, self-tormenting genius of Joyce.