Jamie Lee Curtis and Casey Stevens in Prom Night |
Cast: Leslie Nielsen, Jamie Lee Curtis, Casey Stevens, Anne-Marie Martin, Michael Tough, Mary Beth Rubens, Joy Thompson, Antoinette Bower, Robert A. Silverman, Pita Oliver, David Mucci, George Touliatos, Sheldon Rybowski, Debbie Greenfield, Brock Simpson, Leslie Scott, Dean Bosacki, Joyce Kite, Karen Forbes. Screenplay: William Gray, Robert Guza Jr. Cinematography: Robert C. New. Art direction: Reuben Freed. Film editing: Brian Ravok. Music: Paul Zaza, Carl Zittrer.
High school prom is scary enough without letting a killer loose at one: It's a nexus of adolescent anxieties about sex, style, and status. But of course that makes it a natural locus for the overkill of a horror movie like the classic Carrie (Brian De Palma, 1976). It would be nice to say that Paul Lynch's Prom Night is a classic of that order, but I really can't. It has a promising setup: A group of grade-school kids terrifies another kid into a fatal fall from the window of a spooky old building and, led by the snottiest girl in the group, cover up the fact that they witnessed and partly caused the accident. Six years later, they become the target for threatening phone calls, threats planted in their school lockers, and eventual murders at the prom. The identity of the murderer is slyly withheld until the very end -- although if you've seen enough of these movies you know how to eliminate the obvious suspects and maybe to catch the clues to whodunit. There are a couple of well-staged and suspenseful scenes as the victims get offed. But the film is loaded with too many dance-floor scenes that remind one of how nobody mourned when disco died. The top billing for the film goes to Leslie Nielsen, who plays the principal of the school and the father of the little girl who died, as well as her siblings Kim (Jamie Lee Curtis) and Alex (Michael Tough). But Nielsen has only a few scenes in the movie, and the role is a kind of valedictory to his career in "serious" parts: Airplane! (David Zucker, Jerry Zucker) came out the same year as Prom Night and launched him into the most memorable part of his career, as a deadpan comic actor. Though it was a big success in its day, Prom Night is more artifact than art, valuable mostly as a picture of its era.