A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Saturday, October 28, 2023

Meanwhile (Hal Hartley, 2011)

D.J. Mendel in Meanwhile

Cast: D.J. Mendel, Danielle Meyer, Chelsea Crowe, Miho Nikaido, Penelope Lagos, Lisa Hickman, James David Rich, Hoji Fortuna, Kanstance Frakes, Scott Shepherd, Christine Holt, Stephen Ellis, Soraya Soi Free. Screenplay: Hal Hartley. Cinematography: Daniel Sharnoff. Production design: Richard Sylvarnes. Film editing: Kyle Gilman. Music: Hal Hartley.

The knock on Hal Hartley's Meanwhile from, for example, the commenters on IMDb, is that it's just a guy wandering around talking to people. Which could, I suppose, be said of James Joyce's Ulysses. Not that Meanwhile, with its slightly less than an hour run time, bears extended comparison with Joyce's mock-epic tour of Dublin. But it does have something of that novel's semi-affectionate take on a city, in Hartley's case New York. Joseph (D.J. Mendel) is an ordinary Joe in the way that Leopold Bloom was an ordinary man, which means that you wouldn't take a second look at him in a crowd but if you took time to observe him you'd discover multiple ways in which he's unique. Hartley intercuts Joseph's peregrinations with apparently irrelevant scenes in which a worker in his own office at his production company, Possible Films, picks up an advance copy of a novel titled Meanwhile, a big fat book that she takes home and apparently reads. But what we have here isn't a novel; it's a New Yorker short story. Nothing is concluded but everything is potential. For me that was enough to savor and appreciate.