Cast: James Stephenson, Geraldine Fitzgerald, Donald Crisp, Barbara O’Neil, Montagu Love, Sig Ruman, G.P. Huntley, Leonard Mudie, Doris Lloyd. Screenplay: Howard Koch, Anne Froelich, based on a play by A.J. Cronin. Cinematography: James Wong Howe. Art direction: Carl Jules Weyl. Film editing: Warren Low. Music: Max Steiner.
Shining Victory – not to be confused with Dark Victory (Edmund Goulding, 1939) or Bright Victory (Mark Robson, 1951) – is a solid Warner Bros. product about a research physician (James Stephenson) who gets exiled to a private sanitarium in Scotland after accusing a senior researcher of stealing his work for an article about the treatment of dementia praecox, which we now call schizophrenia. Embittered by the experience, he snarls at and offends his colleagues until he’s assigned an assistant for his work: a lovely young woman (Geraldine Fitzgerald) just graduated from medical school. “A woman!” he sneers, and his scorn is compounded when he learns that she wants to be a medical missionary in China after her term as his assistant is over. Eventually, she wins him over – largely, it seems, by cleaning up his messy lab – and they fall in love. But things are not to be…. Based on a play called Jupiter Laughs by A.J. Cronin, the movie is more interested in getting the two doctors together than in his research, although his somewhat dodgy workaround of medical ethics is what produces the film’s crisis. Bette Davis, who co-starred with Fitzgerald in the aforementioned Dark Victory, has a blink-and-you’ll-miss-it cameo as a nurse.