A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Thursday, September 28, 2023

The Faculty (Robert Rodriguez, 1998)

Laura Harris, Shawn Hatosy, Josh Hartnett, Clea DuVall, Elijah Wood, and Jordana Brewster in The Faculty
Cast: Jordana Brewster, Clea DuVall, Laura Harris, Josh Hartnett, Shawn Hatosy, Elijah Wood, Salma Hayek, Famke Janssen, Piper Laurie, Christopher McDonald, Bebe Neuwirth, Robert Patrick, Usher, Jon Stewart, Daniel von Bargen. Screenplay: Kevin Williamson, David Wechter, Bruce Kimmel. Cinematography: Enrique Chediak. Production design: Cary White. Film editing: Robert Rodriguez. Music: Marco Beltrami.

Two premises are key to The Faculty: that adolescents see adults in authority as alien figures, and that high school is an instrument for instilling social conformity. The former has been the stuff of movies since Rebel Without a Cause (Nicholas Ray, 1955). The latter is in evidence today in the efforts of states like Florida and Texas to remake education along conservative ideological lines. Unfortunately, Kevin Williamson's screenplay and Robert Rodriguez's direction don't take either premise seriously enough to make more than a raucous but routine sci-fi/horror movie out of the material. The result is exactly as the Criterion Channel describes it: "The Breakfast Club meets Invasion of the Body Snatchers." John Hughes's 1985 movie put a Jock, a Brain, a Criminal, a Princess, and a Basket Case together in detention and explored the interaction of disparate high school stereotypes. The Faculty's misfit crew is a little more complex: Stan (Shawn Hatosy), the Jock, wants to quit the team, and Zeke (Josh Hartnett) is both Brain and Criminal: He concocts his own drug (unfortunately called "scat") in his lab, selling it out of the trunk of his car, and he has an off-the-charts IQ. Elijah Wood's Casey is bullied the way Brains typically are in teen movies, and Clea DuVall's Stokely is more of a goth-punk rebel than a Basket Case. Jordana Brewster's Delilah is an overachieving Princess, both editor of the school newspaper and captain of the cheerleading squad. They are joined by a New Girl, Marybeth Louise Hutchinson (Laura Harris), a transfer from Atlanta to their Ohio high school who comes complete with a somewhat cloying Southern accent. If The Faculty had kept its focus steadily on this group as they uncover the fact that their teachers have been taken over by an extraterrestrial organism, the movie would have had more coherence and suspense. Instead, it opens with the revelation that something is clearly causing the teachers and the principal to go mad and murderous. The principal (Bebe Neuwirth) is attacked in her office by the coach (Robert Patrick), and when she tries to escape, her way is blocked by a teacher, Mrs. Olson (Piper Laurie), who suddenly turns from meek to menacing. After missing work for a day or so, the principal returns as if nothing had happened. Meanwhile, other teachers have been showing personality changes that begin to spread into the student body. It's not long before the movie begins to invoke the other half of its inspiration, Invasion of the Body Snatchers (Don Siegel, 1956; Philip Kaufman, 1978). Williamson, whose screenplay for Scream (1996) was full of allusions to other horror films, can't resist making the source for The Faculty explicit, so when his teenagers cite the movie themselves and use it as a guide to fighting the alien, The Faculty becomes too meta for its own good. There's enough to enjoy in the movie, including good performances by most of the cast. Hartnett is particularly good in the role of a guy who's embarrassed by his own intelligence. It's fun to see Jon Stewart, who plays a science teacher, in one of the acting performances he likes to make fun of. But when it comes to making good on its key premises and developing a real satiric edge, The Faculty has to be called a missed opportunity.