Misfortunes of Imaginary Beings: 05/05/10

A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Wednesday, May 5, 2010

Poem of the Day: Stanley Kunitz

The War Against the Trees

The man who sold his lawn to standard oil
Joked with his neighbors come to watch the show
While the bulldozers, drunk with gasoline,
Tested the virtue of the sil
Under the branchy sky
By overthrowing first the privet-row.

Forsythia-forays and hydrangea-raids
Were but preliminaries to a war
Against the great-grandfathers of the town,
So freshly lopped and maimed.
They struck and struck againt,
And with each elm a century went down

All day the hireling engines charged the trees,
Subverting them by hacking underground
In grub-dominions, where dark summer's mole
Rampages through his halls,
Till a northern seizure shook
Those crowns, forcing the giants to their knees.

I saw the ghosts of children at their games
Racing beyond their childhood in the shade,
And while the green world turned its death-foxed page
And a red wagon wheeled,
I watched them disappear
Into the suburbs of their grievous age.

Ripped from the craters much too big for hearts
The club-roots bared their amputated coils,
Raw gorgons matted blind, whose pocks and scars
Cried Moon! on a corner lot
One witness-moment, caught
In the rear-view mirrors of the passing cars.

--Stanley Kunitz

There's a poignant and prophetic quality to this poem, more than fifty years old, and it's somehow best evoked for me in Kunitz's decision not to use the capital letters that commercially belonged to Standard Oil. For oil became standard in our way of life, and we have certainly paid the price for it.