A blog formerly known as Bookishness / By Charles Matthews
"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."--Gabriel García Márquez, One Hundred Years of Solitude
Sunday, January 12, 2025
The Hop Pickers (Ladislav Rychman, 1964)
Cast: Vladimir Pucholt, Ivana Pavlová, Milos Zavadil, Irina Kacirková, Josef Kemr, Libuse Havelková, Vladimir Klos, Vladimir Kloubek, Josef Koicek, Josef Laufer, Petr Musil. Screenplay: Vratislav Blazek, Ladislav Rychman. Cinematography: Jan Stallich. Art direction: Oldrich Bosák. Film editing: Miroslav Hájek. Music: Jirí Bazant, Vlastimil Hála, Jirí Malásek.
Ten Cents a Dance (Lionel Barrymore, 1931)
Cast: Barbara Stanwyck, Ricardo Cortez, Monroe Owsley, Sally Blane, Blanche Friderici, Phyllis Crane, Victor Potel, Al Hill, Jack Byron, Pat Harmon, Martha Sleeper, David Newell, Sidney Bracey. Screenplay: Jo Swerling, Dorothy Howell. Cinematography: Ernest Haller, Gilbert Warrenton. Art direction: Edward C. Jewell. Film editing: Arthur Huffsmith.
Links:
Barbara Stanwyck,
Blanche Friderici,
Lionel Barrymore,
Moroe Owsley,
Ricardo Cortez,
Sally Blane,
Ten Cents a Dance
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