A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Friday, March 14, 2025

Planet of the Apes (Tim Burton, 2001)


Cast: Mark Wahlberg, Helen Bonham Carter, Tim Roth, Michael Clarke Duncan, Paul Giamatti, Estella Warren, Cary-Hiroyuki Tagawa, David Warner, Kris Kristofferson. Screenplay: William Broyles Jr., Lawrnece Konner, Mark Rosenthal, based on a novel by Pierre Boulle. Cinematography: Philippe Rousselot. Production design: Rick Heinrichs. Film editing: Chris Lebenzon. Music: Danny Elfman. 

I almost stopped watching Tim Burton's remake of Franklin J. Schaffner's 1968 classic Planet of the Apes when one character called another "the Homo sapien." Can we all get it into our heads that the taxonomic phrase "Homo sapiens" is singular? (If there were a plural it would be something like "Homines sapientes" -- Latinists may correct me if I'm wrong.) But pet peeves aside, I found Burton's version entertaining enough, with its sly references to the original film: One of the apes reverses a line spoken by Charlton Heston in the first film, saying "Get your stinking hands off me, you damn dirty human!" And Heston himself has an unbilled cameo as the dying father of Thade (Tim Roth), in which he reprises in a different context his line, "Damn them! Damn them all to hell!" The apes in the remake are more simian, with better ape-like behavior and movements. And the satiric edge feels sharper in an era in which government-sanctioned discrimination seems to be on the rise. But the narrative is a bit of a mess, especially the fudged-up ending, which could never have the impact of the revelation at the end of the 1968 film. It got a Razzie as the worst remake of the year and probably deserved it, but it's not unwatchable, thanks to some good performances, especially by Helena Bonham Carter, Michael Clarke Duncan, and Paul Giamatti, who never let the makeup do the acting for them.